I’ve kind of got a thing for armadillos. I’ve never seen one in person — a live one, at least… I saw a squished one at the side of the road once when I was in Texas for a business trip. I can rattle off random armadillo facts for you (They’re born as litters of identical quadruplets! The only one that can roll up into a perfect ball is the three-banded armadillo! The pink fairy armadillo is only four inches long! They carry leprosy!), but I think you’ll be much more interested in this:

My armadillo purse

Lined with pink satin!

Your eyes do not deceive you: this is a purse, made of an actual, real armadillo. It’s been bent around into a sort of football shape, clutching itself with its sweet little claws, and with rhinestones for eyes. It’s lined in pink satin, and has a mirror under its neck so you can check your lipstick. It is fancy.

I got this as a gift from my mom, who also has a thing for armadillos. She found it for me more than ten years ago, I have no idea where, and I don’t know how old it is. I’ve heard that they used to sell these down near the border in Texas, and that they were a popular tourist item.

The image on the left is from a rare stop-motion puppet of Jerry Lewis that was built by the Rankin/Bass animation studio for some specials. While I’m not a huge Jerry Lewis fan, I can’t get over how cool it would have been if Rankin/Bass (creators of all the great stop-motion Christmas specials) had gone through and produced these cartoons. The puppet has a look to it that you just don’t see in modern animation. Check out the all the photos of the Jerry Lewis Puppet.

According to the Rankin/Bass Historian, it turns out that Arthur Rankin and Jules Bass were huge Jerry Lewis fans and were working on two projects to being Jerry Lewis to stop-motion world. One was “Punch and Judy” and the other was “The Bellboy”. They never went into full production but there was some work done on them. A song was written called “Hey Bellhop!”, which has been locked away in the Rankin/Bass vaults all these years. A demo recording of the song will be included in the soon-to-be-released soundtrack to the The Daydreamer, a special I’ve never seen. Seeing the image of the Jerry Lewis puppet fills my mind with thoughts of what this might have been.

Ze King! Ze Premier! Then all the ministers!
Army! Navy! Department Sanitaire! …

This Harveytoon cartoon isn’t really outstanding in any particular way, but it’s one I remembered as a kid I’ve wanted to see again for probably the last 20 years. I’ve searched for it several times before, and while it’s mentioned in several places in the web, I’ve only come across an actual video of it very recently! It’s beloved by many, but probably totally unknown to most. Here’s the description from IMDB’s entry for it, see if it shakes loose any memories:

A French shopkeeper’s life is disrupted by a daily parade. The parade consists of “ze king, ze premier, all ze lords and ministers, army, navy, department sanitaire.” When the “department sanitaire” hits a pothole, all the garbage gets dumped onto the street in front of his store.

UPDATE: According to the Classic Cartoon blog, the The Harveytoons DVD Collection features Le Petite Parade on Disc 4! Check it out on Amazon.com!

Luie Luie, Creator of "TOUCHY"

One of my more prized possessions is this LP. Meet Luie Luie. Luie Luie recorded this album in 1971 — he composed, arranged and played all the music on this album. Luie Luie, you see, is a dynamo.

He hoped to spur a new dance craze, called the Touchy. As Luie Luie explains in one of several opening monologues, Touchy songs all start with a “wiiiiiild trumpet introduction,” signalling that it is time to start dancing the Touchy. To dance the Touchy, you dance however you want, as long as you are touching your partner. Any body part will do: nose-to-nose, elbow-to-elbow, toe-to-bellybutton, “or what have you.”

I was hepped to Luie Luie thanks to Hanford and his copy of Songs in the Key of Z, which has the first song from this album, “El Touchy”:

Once I heard it, I knew I had to track down this album. It wasn’t easy, but it was well worth it — surprisingly, not just for the songs, but for the astounding text on the back of the album. Just when I thought the writing had reached the apex of absurdity, bang! — it got weirder. And weirder. The internet’s many Chuck Norris biographers could learn a thing or two from the back of this album. When I die, I want my eulogy to simply be someone reading the back of this album, replacing “Luie Luie” with “Humuhumu.”

Luie Luie is never one to disappoint his audience, and to celebrate his inimitable spirit, I offer for you here, today, in its entirety, the actual liner notes from this album, formatted as close to the original as I could muster. Enjoy.

Read the rest of this entry »

ISB faculty playing DNA Twister

I was working at the Institute for Systems Biology when the 50th anniversary of Watson & Crick‘s discovery of the double-helix structure of DNA rolled around. I had the great luck of working right next to Rich Bonneau, a brilliant scientist who made sure to interject into every — every — talk or meeting that we should really be focusing more on putting kangaroo tails on humans. Rich was, and I assume still is, all kinds of awesome.

DNA Twister mat

Anyway, to mark the 50th anniversary of the discovery of DNA’s structure, Rich and I got a Twister mat and marked each of the four colors on it as one of the four bases that make up the structure of DNA: Adenine, Cytosine, Guanine and Thymine. We used the spinner to assign which hand or foot was in play, but we used an actual bit of DNA to tell the players where to stick it. I don’t remember what the DNA sequence was from — I think it was one of the genes on human chromosome 14. The ISB faculty joined in, and it was so! funny! when we hit a repeat sequence! HA HA HA HA! HA HA HA HA!

I guess you had to be there.

I have been hoping for a return of mainstream hobo vernacular. If I could still get this, I would eat it every day.

Wow, it even works with our website colors. [From an eBay Auction, via Booberry Alarm Clock]

UPDATE: It turns out they still make and sell the stuff. (thanks Humu for the tipoff!)

Baker’s Coconut Animal Cut-Up Cakes

I’ve had this up on my photo pages for a while, and it’s perfect for Junkyard Clubhouse. This Animal Cut-Up Cakes booklet, put out by Baker’s Coconut in 1959, has full-color photos and instructions to make about a dozen different animal-shaped cakes by cutting up standard size round and rectangular cakes — and then encrusting them with unnaturally tinted Baker’s Coconut, of course. That’s Dandy-Lion pictured there on the cover, I had him for my fifth birthday. My brother had Fanny the Fish for one of his early birthdays.

My grandmother probably ordered away for it, it wound up with my mother, and I’ve had it with me since I moved out of the house. Aside from my sentimental attachment to it, I also think it’s beautifully designed and photographed, and it is just so 1959 (right down to the illustrations of a housewife baking in a dress and high heels). I have the whole thing scanned and up at Humuhumu’s Life in Photos, where you can see Tortie the Turtle, Ella Elephant, Quack-Quack the Duck, and all their coconutty friends.

This booklet inspired me to create a cut-up cake of my own design, a hula girl — you’ll find directions for her there, too.

UPDATE: Looking for Easter Bunny Cut-Up Cakes? I’ve got some here: Baker’s Coconut Easter Bunny Cut-Up Cake

Fanny the Fish Cut-Up Cake

The wonderful Disney Blog 2719 Hyperion has a great piece on the Man In Space episode of Walt Disney’s Wonderful World Of Color, (the episode turned 52 just a few days ago). The episode is a peek into what the 1950s envisioned the future of space travel to be like. It features both live action lectures by Disney animator Ward Kimball and rocket scientist Wernher von Braun, as well as some animated futurist visuals that are not to be missed. 2719 Hyperion does a better job than I do at really coveying the impact of this midcentury science film:

Perhaps the most interesting footnote about Man in Space is the largely unnoticed impact it had on the development of the U.S. space program. President Eisenhower was so impressed with the program, he requested a print of the film to screen for high-ranking Pentagon officials, which was evidently instrumental in kick starting the country’s space initiatives.

Check out 2719 Hyperion’s post on Man In Space. If you’re nuts about it like I am, be sure to pick up the Tomorrowland DVD, which contains Man In Space along with a few other not-to-be-missed Space Age edutainment shorts from Disney’s timeless TV show.

A movement I can get behind — a call to halt the chronic infestation of the horrid typeface Comic Sans:

Cringe-inducing abuse of Comic Sans. From the Comic Sans Flickr pool

Like the tone of a spoken voice, the characteristics of a typeface convey meaning. The design of the typeface is, in itself, its voice. Often this voice speaks louder than the text itself. Thus when designing a “Do Not Enter” sign the use of a heavy-stroked, attention-commanding font such as Impact or Arial Black is appropriate. Typesetting such a message in Comic Sans would be ludicrous. Though this is sort of misuse is frequent, it is unjustified. Clearly, Comic Sans as a voice conveys silliness, childish naivete, irreverence, and is far too casual for such a purpose. It is analogous to showing up for a black tie event in a clown costume.

And it’s not even a very good clown costume.

…and lost 75 pounds (none of it from his head):

[via Defamer]